DJI Osmo Pocket 3 D-Log M ➝ DaVinci Wide Gamut Conversion LUT (.cube)

🎥 DJI Osmo Pocket 3 – D-Log M to DaVinci Wide Gamut Conversion LUT

🎯 Grade Like a Pro — Unlock Full Flexibility in DaVinci Resolve

This custom-made LUT transforms DJI Osmo Pocket 3 D-Log M footage into DaVinci Wide Gamut Intermediate, giving you a clean, colour-accurate base for professional colour grading inside DaVinci Resolve’s modern colour pipeline.

Unlike DJI's provided LUTs that force your footage into Rec.709 — baking in contrast and clipping highlights — this one preserves the full dynamic range and colour fidelity captured by the Osmo Pocket 3’s 1" sensor.

🧠 Why This LUT?

✅ Purpose-built for Osmo Pocket 3 D-Log M
✅ Converts directly to DaVinci Wide Gamut Intermediate (not Rec.709)
✅ Avoids baked-in contrast and crushed shadows
✅ Preserves dynamic range and colour volume for clean, cinematic grading
✅ Fully compatible with Resolve’s Colour Management and modern workflows

This is a true technical conversion LUT, not a stylistic look — it's designed to give you a neutral, accurate base image, ready for further grading or application of creative LUTs.

📦 What’s Included

• 1x .cube LUT: D-Log M (Pocket 3) ➝ DaVinci Wide Gamut Intermediate
• Bonus Node Graph Template: Includes recommended CST node setup
• Quick-Start Guide: Covers install and workflow for Mac & Windows

🛠 How to Use

1. Apply this LUT directly to footage shot in D-Log M on the Osmo Pocket 3.
2. Grade or apply your favourite creative LUTs after this conversion.
3. Sandwich in your grade with the final DWG > REC.709 CST node.

💡 Any confusion should be cleared up in the instructions included.

📌 Important Notes

• ⚠️ This LUT is calibrated specifically for the DJI Osmo Pocket 3.
• 🛩️ It is not recommended for use with drones like the Mavic 3 or Air 2S, which use a slightly different version of D-Log M.
• 📈 Future versions for drone footage will be available separately.

🎬 Who Is This For?

• Osmo Pocket 3 creators who want pro-level image flexibility
• Filmmakers grading in DaVinci Resolve’s Wide Gamut colour pipeline
• Anyone tired of muddy Rec.709 conversions and locked-in LUTs

✨ Take control of your footage. Stop crushing highlights. Start grading with precision.

This is the professional-grade starting point your Pocket 3 footage deserves.